Silver Screen Saucers
Summit Entertainment has released four 'Warning Signs' as part of its marketing campaign for The Darkest Hour - a Moscow-set alien invasion thriller due for release in 3D and 2D on Christmas day...
The Darkest Hour stars Emile Hirsch, Olivia Thirlby, Max Minghella, Rachael Taylor and Joel Kinnaman and is directed by Chris Gorak.
Related posts:
'The Darkest Hour': story details, artwork revealed
'The Darkest Hour' featurette
Wednesday, November 30, 2011
St. Andrew: The Background Apostle
Some have speculated that Andrew could've been a middle child. His high-powered older brother, St. Peter, certainly over-shadowed him. Interestingly, it was Andrew who introduced Peter to Jesus, resulting in Peter's following the Master and eventually becoming head honcho among the close followers. Both the young men were fishermen by trade. It seems that Andrew was a disciple of John the Baptizer before being called into Jesus' inner circle. Andrew seems to have always been working the background: telling Jesus about the boy with the loaves and fishes which Jesus used in feeding five thousand people; announcing to Jesus the arrival of some Greek visitors who wanted an audience.
Legend has it that Andrew later ministered among the Scythians, ancient inhabitants of what we now know as Russia. Not surprisingly, Andrew has long been a patron of Russia, as well as of Scotland, probably because his relics were brought there in the 8th century. The Scottish flag features an X-shaped cross, called a saltire cross, associated with St. Andrew who is said to have been martyred on such a cross. The Brotherhood of St. Andrew, an informal fellowship of adult and young men, has been a long-standing organization in the Episcopal Church, as well as in parishes of our Diocese.
It’s fitting that St. Andrew’s feast should coincide with the beginning of Advent, for Andrew’s life and the Scriptures for his feast have a message for us about this season of waiting and watching. Advent speaks to us about the end of what we know as “the world”, how it will be brought about by God alone and in God’s time alone. In the meantime you and I wait, watch and are alert to any sign of the coming reign of God, primarily by letting ourselves be steeped in that Word which both the writer of Deuteronomy (30:11-14) and St. Paul (Romans 10:8b-18) mention. “...the word is very near to you; it is in your mouth and in your heart for you to observe.” Paul tells us that this Word is “the word of faith that we proclaim”, but it’s not just a verbal communication. It’s more of a confession or profession of what one holds in the deepest place in one’s heart. St. Peter verbalized it in Matthew’s narrative (16:16): “You are the Messiah, the Son of the living God.” He and the other Apostles, including Andrew, lived and ministered from that conviction.
Waiting for the coming reign of God, as Andrew and the others came to realize, isn’t a business-as-usual festival of things which we now know and possess, or perhaps seek to possess under the
Christmas tree! Jesus the Chosen One for whom we wait isn’t just a gentle baby who comes to fit into our preconceived world, but rather the mighty Son of Man who breaks into our hurting and hopeful humanity. Writer Larry Parton says: “The one we wait for is the one who will get in our way. He is the one who will disturb us and our peace. He is the one who will stop cooing and begin to talk about things that will trouble us.” Our immersion in the Word during Advent reminds us that his in-breaking is a two-edged sword. On the one hand, there’s a shattering of our this-worldly settledness and our comfortable assumptions that we can buy our way to whatever we want. But there’s also a liberation, a setting-free, by shattering the narrowness that restricts us, the selfishness that binds us and others, and the paralysis and apathy which shuts us down.
These may be hard words for us who so readily claim to rely on God, but whose actions so often imply that we’re really in charge. The temptation for all of us is to think of God as a “Sugar Daddy” who presides over a predictable world in order to keep it user-friendly and benign for us. We’d really like to believe that, if we only work at it in clever ways, perhaps we can have the world, and our family, and our job, and our Church on our terms. “Well,” writes theologian Walter Bruggemann, “that is conventional. But it is not biblical, not Christian, not news.”
The Word which guided Andrew’s life came from the very lips of Jesus, the One who mirrored what he said by how he lived: by the way he treated others. Andrew learned how difficult it was to do that, because, as Jesus, Andrew came to experience opposition and suffering, and even death, which goes along with it. Yet, he never forgot that the Word, Jesus, was always near him: on his lips and in his heart. He waited for God’s reign in hope.
The following words, from a sermon by Mark Frank, included in the English book Celebrating the Saints (p. 453), touched me deeply when I first read them some years ago, and I share them with you for reflection on this feast day and for the season of Advent: "...alas, what have we, the best, the richest of us as highly as we think of ourselves and ours, more than Andrew and his brother: a few old broken nets? What are all our honours but old nets to catch the breath of the world! What are our estates but nets to entangle us? What are all our ways and devises of thriving but so many several nets to catch a little yellow sand and mud? What are all those fine catching ways of eloquence, knowledge, good parts of mind and body, but so many nets and snares to catch others with?...And our life itself, what is it but a few rotten threads knit together into veins and sinews, its construction so fragile that the least stick or stone can unloose it or break all to pieces.
O blessed saint of this day, that we could but leave these nets as thou didst thine: that nothing might any longer entangle us or keep us from our Master's service! Follow we St. Andrew as he did Christ, follow him to Christ, cheerfully and without delay, and while it is today, begin our course. Cast off the networks, the catching desires of the flesh and the world, and so you also may be said to have left your nets. And having so weaned your souls from inordinate affection to things below, let Christ be your business, his life your pattern, his commands your law..."
Tuesday, November 29, 2011
Heroine Of the 99%
Blessed Dorothy Day died in her room at Maryhouse on November 29, 1980. She was surely one of the Church's greatest advocates for the 99%: ordinary middle-class people and families; the poor; the hungry; the anawim of society, as Scripture calls them -- those easily written-off human beings on the fringes of society.
About 8 months before she died, Dorothy wrote this in her Diary:
"'The less you have of Caesar the less you have to render to Caesar.' Jesus and the coin.
'Render to Caesar the things which are Caesar's and to God the things of God.' 'Whose face on this coin?' Jesus.
Foundation of our work.
Voluntary poverty and manual labor. Jesus and the coin. 'Do unto others.'
'Sowing and reaping.' New Testament words of Jesus. 'Sow sparingly and you will reap sparingly.'"
She and Peter Maurin began The Catholic Worker newspaper, which soon became a powerful movement and continues to this day, though not as publicly and forcefully as it did in Dorothy's heyday. The "Caesars" of the world, including the Catholic Church of which she was a loyal and devoted member, were made terribly uncomfortable by this simple, and by her own admission, somewhat mouthy woman who never backed down on her commitment to serving the needy and promoting non-violence and peace. She herself lived an amazing life of poverty among those she served, grappling not only with all the day-to-day problems of those she took in, but with the struggles within her own family and friends, with the on-going ups and downs of the Catholic Worker movement, and with her own admitted shortcomings and failings.
One can get an intimate feel for what she went through in a 2008 book, The Duty of Delight: The Diaries of Dorothy Day, edited by Robert Ellsberg. Reading her entries, you almost feel as if you're sitting beside her, hearing her recount her daily joys and sorrows. Ellsberg records a prayer, St. Ephraim's Prayer of Penance, found inserted in her final journal: "O Lord and master of my life, take from me the spirit of sloth, faintheartedness, lust of power and idle talk. But give to thy servant rather the spirit of chastity, humility, patience and love. Yea, O Lord and King, grant me to see my own errors and not to judge my brother, for Thou art blessed from all ages to ages. Amen." Ellsberg closes his book, saying that he found the prayer a few years ago in a book by Russian poet Sergey Mitrofanovich Gorodetzky (1884-1967), The Humiliated Christ in Russian Thought. "It was the prayer of a political prisoner in the Czar's time. Also in the book was the story of a pious peasant or serf, a girl who loved dancing. An accident crippled her for life so she lay, a helpless invalid, but 'rejoicing that she was counted worthy to suffer for our Lord.'"
It recalls to my mind the exquisite mural in St. Gregory of Nyssa Episcopal Church, San Francisco, of dancing "celebrities" of faith. I can't think of a more appropriate image for Blessed Dorothy Day, an ordinary woman who suffered much for the Lord, but who now dances among the Communion of the Saints.
About 8 months before she died, Dorothy wrote this in her Diary:
"'The less you have of Caesar the less you have to render to Caesar.' Jesus and the coin.
'Render to Caesar the things which are Caesar's and to God the things of God.' 'Whose face on this coin?' Jesus.
Foundation of our work.
Voluntary poverty and manual labor. Jesus and the coin. 'Do unto others.'
'Sowing and reaping.' New Testament words of Jesus. 'Sow sparingly and you will reap sparingly.'"
She and Peter Maurin began The Catholic Worker newspaper, which soon became a powerful movement and continues to this day, though not as publicly and forcefully as it did in Dorothy's heyday. The "Caesars" of the world, including the Catholic Church of which she was a loyal and devoted member, were made terribly uncomfortable by this simple, and by her own admission, somewhat mouthy woman who never backed down on her commitment to serving the needy and promoting non-violence and peace. She herself lived an amazing life of poverty among those she served, grappling not only with all the day-to-day problems of those she took in, but with the struggles within her own family and friends, with the on-going ups and downs of the Catholic Worker movement, and with her own admitted shortcomings and failings.
One can get an intimate feel for what she went through in a 2008 book, The Duty of Delight: The Diaries of Dorothy Day, edited by Robert Ellsberg. Reading her entries, you almost feel as if you're sitting beside her, hearing her recount her daily joys and sorrows. Ellsberg records a prayer, St. Ephraim's Prayer of Penance, found inserted in her final journal: "O Lord and master of my life, take from me the spirit of sloth, faintheartedness, lust of power and idle talk. But give to thy servant rather the spirit of chastity, humility, patience and love. Yea, O Lord and King, grant me to see my own errors and not to judge my brother, for Thou art blessed from all ages to ages. Amen." Ellsberg closes his book, saying that he found the prayer a few years ago in a book by Russian poet Sergey Mitrofanovich Gorodetzky (1884-1967), The Humiliated Christ in Russian Thought. "It was the prayer of a political prisoner in the Czar's time. Also in the book was the story of a pious peasant or serf, a girl who loved dancing. An accident crippled her for life so she lay, a helpless invalid, but 'rejoicing that she was counted worthy to suffer for our Lord.'"
It recalls to my mind the exquisite mural in St. Gregory of Nyssa Episcopal Church, San Francisco, of dancing "celebrities" of faith. I can't think of a more appropriate image for Blessed Dorothy Day, an ordinary woman who suffered much for the Lord, but who now dances among the Communion of the Saints.
'Men in Black 3' posters revealed
Silver Screen Saucers
Columbia Pictures has provided ComingSoon.net with two posters for Men in Black 3. Towards the bottom of each poster is a disguised weblink - TheMenInBlackSuitsAreReal.com - which leads to a viral Facebook account run by 'BugEyes126', who has left the following message:
"I've uncovered that there's these Men in Black suits who monitor and police alien activity on earth. Up until now no one believes me, so I'm on a mission to prove that they're real and that's why I started this Facebook page. More soon."
Men in Black 3 opens in 3D, 2D and IMAX 3D theaters on May 25. It is directed by Barry Sonnenfeld and stars Will Smith, Tommy Lee Jones, Josh Brolin, Jemaine Clement, Emma Thompson, Nicole Scherzinger, Alice Eve and Michael Stuhlbarg.
Related:
Retro aliens for 'Men in Black 3'
Columbia Pictures has provided ComingSoon.net with two posters for Men in Black 3. Towards the bottom of each poster is a disguised weblink - TheMenInBlackSuitsAreReal.com - which leads to a viral Facebook account run by 'BugEyes126', who has left the following message:
"I've uncovered that there's these Men in Black suits who monitor and police alien activity on earth. Up until now no one believes me, so I'm on a mission to prove that they're real and that's why I started this Facebook page. More soon."
Related:
Retro aliens for 'Men in Black 3'
40th World Gallery of Cartoons – Skopje 2012, Republic of Macedonia
Dear friends Cartoonists,
It is time to celebrate your works, because the cartoons have a power!
You are invited to join the 40.World Gallery of Cartoons – Skopje 2012, awarding:
GRAND PRIX for Life Achievement (5000$)
FIRST PRIZE for Caricature (1000$)
FIRST PRIZE for Satiric Drawing (1000$)
FIRST PRIZE for Comics (1000$)
10 SPECIAL PRIZES.
Click Here to Participate.
The application deadline is January 15th 2012.
The pre-selection will be made and the selected authors will be invited to provide the original works.
The deadline for sending the original works is February 15th 2012.
Don’t forget to forward this information to your friends.
World Gallery of Cartoons
8 Udarna Brigada 2, 1000 Skopje
Republic of Macedonia
Tel: +389 2 3213665
Mobile: +389 71 225950
E-mail: osten@t-home.mk
WEB: http://www.osten.com.mk/
It is time to celebrate your works, because the cartoons have a power!
You are invited to join the 40.World Gallery of Cartoons – Skopje 2012, awarding:
GRAND PRIX for Life Achievement (5000$)
FIRST PRIZE for Caricature (1000$)
FIRST PRIZE for Satiric Drawing (1000$)
FIRST PRIZE for Comics (1000$)
10 SPECIAL PRIZES.
Click Here to Participate.
The application deadline is January 15th 2012.
The pre-selection will be made and the selected authors will be invited to provide the original works.
The deadline for sending the original works is February 15th 2012.
Don’t forget to forward this information to your friends.
World Gallery of Cartoons
8 Udarna Brigada 2, 1000 Skopje
Republic of Macedonia
Tel: +389 2 3213665
Mobile: +389 71 225950
E-mail: osten@t-home.mk
WEB: http://www.osten.com.mk/
New 'John Carter' poster
By Robbie Graham Silver Screen Saucers
Disney has released a new poster design for the hotly anticipated Mars-based adventure John Carter...
The Red Planet itself dominates in the new poster. A bold move on Disney's part... the studio knows only too well the sting of the Martian Curse.
Disney has released a new poster design for the hotly anticipated Mars-based adventure John Carter...
The Red Planet itself dominates in the new poster. A bold move on Disney's part... the studio knows only too well the sting of the Martian Curse.
Monday, November 28, 2011
Hollywood's top alien designer talks 'Prometheus', 'Super 8'
Silver Screen Saucers
Above: alien from Super 8 (2011) |
Hollywood creature designer Neville Page chatted recently with horror movie news site Shock Till You Drop about his experience of working with some of the industry’s top directors on projects such as Avatar, Super 8 and the forthcoming Prometheus.
Page – who also designed the aliens for Star Trek and Green Lantern – says:
Above: aliens from Green Lantern (2011) |
“I see myself as an arm, hired to realize other peoples' visions. Yes, they hire me because I have a particular take on things and aesthetic. Working with someone like James Cameron, Ridley Scott or J.J. Abrams, they have an agenda, they have a vision they need my help realizing. So, the reason I say I try to have my style come through is because it's not about me, it's about taking whatever is in their heads and trying to bring it to light. It ends up being infused with your aesthetic propensities. You can't help to have it be of you. It's my job to make sure the character in their production doesn't look similar to something else in another production.”
To read the rest of the interview, head on over to Shock Till You Drop.
Sunday, November 27, 2011
Thanksgiving and a Retirement Party
We had a wonderful Thanksgiving meal on Thursday. The cooking staff did a great job on the food and presentation. We also had another retirement party here last night. John Hanna, the island manager for DBSI (our contractor, Defense Based Services, Inc., formerly known as Chugach Industries) retired after being on island for about 8 years. Have a great retirement, John!
Our new volunteers are learning the ropes, and they seem to be enjoying their work so far. They don't have too many albatross bites yet, but they'll be getting more as soon as they have to start banding them.
Here's the Thanksgiving fruit table with a bunch of hibiscus flowers that grow around the island to add some color.
For the big holidays, the tables at the Clipper House get pushed together, which is kind of nice once in a while.
The volunteers are marking a Black-footed albatross nest near the south beach.
Here's a female Ring-necked duck swimming around in one of the seeps.
This is the Laysan/Black-footed albatross hybrid that hangs out across from the Midway House.
Our new volunteers are learning the ropes, and they seem to be enjoying their work so far. They don't have too many albatross bites yet, but they'll be getting more as soon as they have to start banding them.
Here's the Thanksgiving fruit table with a bunch of hibiscus flowers that grow around the island to add some color.
Here's the bread table, most was homemade by Laurel and really good.
Here's the head chef, Pong, carving the turkey.
Here's John and his wife Mali listening to Darlene's speech at the All Hands Club. The presentations were followed by a pool tournament and karaoke. Normally the band would play, but the lead guitar player is on vacation.
The volunteers are marking a Black-footed albatross nest near the south beach.
Here's a female Ring-necked duck swimming around in one of the seeps.
This is the Laysan/Black-footed albatross hybrid that hangs out across from the Midway House.
The Advent Community of Hurt & Hope
An anonymous poet has written:
I saw the sign on the highway
‘Prepare to meet thy God.’
But when I got a little closer
There were no further instructions.
Advent is a season like that: one where we prepare, we wait, we discern what the “further instructions” are!
Contrary to the dominant and prevailing view in our American culture, however, Advent doesn’t begin with unbridled celebration or a shopping spree! Rather, Advent deals with a community of hurt, with you and me, real people who know pain, depression, inadequacy and failure, particularly at this time in our country. We’re people who articulate our hurt and aren’t afraid to let it show. Such a community of hurt knows the One to Whom it speaks in prayer of its suffering. We call upon God, the Lord of hurt, whom we trust to bring our suffering to an end.
Since our hope and prayer is directed to the One whose reign is never really in doubt, our community of hurt is also ultimately a community of hope. We passionately hope for the end of our troubles. Our living faith assures us that God reign will eventually come. The hope which we express isn’t wishful thinking, but a concrete hope: as real as the pain we feel. Hurt and hope go together in our lives, even though you and I don’t like to accept that reality. We’d like to think that, somehow, we can have the one (guess which?) without the other. Yet it’s precisely the reality of our present hurt which motivates us to have hope.
The first reading (Isaiah 64:1-9) pictures a waiting community of Israel as a child abandoned, but not orphaned: in desolate loneliness and disarray, yet still able to hope in One who will set things right. The author of the passage is undoubtedly that anonymous inspired prophet, referred to by scholars as Second Isaiah. He addresses a hurt people who’ve been in exile in Babylon for nearly 50 years. They’re unaware that in another 10 years Cyrus the Persian will vanquish Nabonídus and his son, Belshazzar. And that will make it possible for the Jewish exiles to return to their beloved, devastated land and, subsequently, to rebuild their sacred Temple. But the only immediate thing they have to hold onto is the memory, the hope, of God their Father: “...For You are our Father. Were Abraham not to know us, nor Israel to acknowledge us, You, Lord, are our Father…” (Isaiah 63:16) “...no ear has ever heard, no eye ever seen any God but You, doing such works for those who wait for God…” (64:4) These are Advent’s parameters: whatever it is that bothers or plagues us, you and I begin and end knowing whose we are. That is our Christian hope.
Second Isaiah explores what it means to look to an ever-present, though hidden, God in the midst of suffering. He accuses God of misleading and of abandoning sometimes. He begs God to come back. He calls to mind God’s previous interventions and, in doing so, reminds us of our lives and the times when God takes each of us, individually and as a community, by surprise, and shatters our expectations. Advent teaches us to wait for another future coming like that. It gives us focus at those times when, because of the weighing-down burden of our selfishness and weakness, we feel unclean, like a dirty garment, or blown about and abandoned, as a faded autumn leaf.
Yet, says the prophet, “Yet, O Lord, you are our Father...you are our potter...we are the clay...we are all the work of your hand!” The basis of Advent is a “yet” which contradicts what we see around us and feel within ourselves, a “yet” grounded in the Person of the Holy and Mighty God in whom we dare hope and to whom we belong, even in our hurt: a God “who works for those who wait for God”.
In the Epistle passage (1 Corinthians 1:3-9) St. Paul addresses such a community of hope in Corinth. Generally, the Corinthians weren’t any greater on waiting than we are. Corinth, like ours, was a self-indulgent society. They had the idea that all that was to be given had already been delivered...to them! They were self-sufficient, rugged individuals. That mentality, understandably, spilled over into the life of the Christian community at Corinth. So much so, that Paul later takes to task this church which had been blessed, as he puts it, “in every way...in speech and knowledge of every kind...in every spiritual gift…”
Paul addresses himself to people who have a different set of expectations, people aware of their hurt and weakness, people who wait in hope for Jesus to reveal himself in all his fullness. In our day, “end time” talk can be somewhat embarrassing, if not outright off-putting. Advent deals with the reality of the eschaton = the end time: the end of creation as we know it; the end of a world of abandonment, sorrow, alienation, and injustice.
Mark’s Gospel narrative (13:24-37) affirms this. Often called a “little Apocalypse”, i.e., a miniature revelation, it speaks of waiting for a decisively disruptive coming. Mark uses extravagant end-time images: a darkened sun/moon; falling stars; the assembling of the chosen from everywhere. If we can get beyond this tumultuous and somewhat overpowering imagery, we can recognize that, in themselves, these verses are simple, sober and disciplined. They convey a transparent message: the advent, the coming, of Jesus the Chosen One, in whose coming the world as we know it, “heaven and earth”, will be transformed. The crucial point which Mark stresses is to “beware, keep alert”
This common thread runs through all of today’s readings: the end of what we know as “the world” will be brought about by God alone and in God’s time alone. Our task is to wait, watch and be alert for the coming reign of God. Advent isn’t a business-as-usual festival of things which we now know and possess, or perhaps seek to possess under the Christmas tree! Jesus the Chosen One for whom we wait isn’t just a gentle baby who comes to fit into our preconceived world, but rather the mighty Son of Man who breaks into our hurting and hopeful humanity. Advent reminds us that his in-breaking is a two-edged sword. On the one hand, there’s a shattering of our this-worldly settledness and our comfortable assumptions that we can buy our way to whatever we want. But there’s also a liberation, a setting-free, by shattering the narrowness that restricts us, the selfishness that binds us and others, and the paralysis and apathy which shuts us down.
These may be hard words for us who claim to rely on God, but whose actions so often imply that we’re really in charge. The temptation for all of us is to think of God as a “Sugar Daddy” who presides over a predictable world in order to keep it user-friendly and benign for us. We’d really like to believe that if we only work at it in clever ways, perhaps we can have the world, and our family, and our job, and our Church on our terms. “Well,” writes theologian Walter Bruggemann, “that is conventional. But it is not biblical, not Christian, not news.”
Ironically, the greatest barriers between us and God may oftentimes not be our sins and guilt, but our gifts and talents. God asks us to repent not only of our sins, but of our reliance on our own resources, virtues and power. To live as though my priorities could ever supercede God’s is full-blown spiritual pride. To live as though I have God’s own private cell phone number is to live an arrogant pretension which separates me from others and from God. To allow myself to feel religiously superior because of my real or supposed religious “experiences” or insights is to substitute those things for God, and that is idolatry. The clay, in its self-importance, tries to tell the Potter how and when and whom to mold!
Advent is meant to shatter our fantasy worlds, and to teach us to accept and to speak about our pain and the world’s; to look in hope, not to ourselves, but to Jesus. Advent asks if you and I are open enough for a newness to be given, if we’re trusting enough of the faithful God to let go of this world. Advent should lead us to reflect on Jesus‘ observation (Mark 13:2) that “Not one stone will be left here upon another…”
Larry Parton, in a now-defunct little magazine called alive now!, wrote: “The one we wait for is the one who will get in our way. He is the one who will disturb us and our peace. He is the one who will stop cooing and begin to talk about things that will trouble us.” Realizing that, do we, as 1st century Christians did, still dare to pray without ceasing throughout our Advent wait: “Maranatha -- Come, Lord Jesus”?
Women on the World International Cartoon Competition 2012, Australia
The Rotary Club of Coffs Harbour City invites you to enter . . .
The inaugural 2012
http://www.rotarycartoonawards.com.au/ ; http://www.coffscityrotary.org.au/The inaugural 2012
Rules & Entry Conditions
1. Women on the World International Cartoon Competition is open to all women cartoon artists worldwide over the age of 18 years. Entries should convey a woman's social comment on world issues today.
2. There are no restrictions on the number of entries submitted and entries may be either previously published or unpublished. Entries must not be able to be deemed offensive to others.
3. Entrants are asked to title their own work. All titles and captions are to be in English.
4. Entries must not be framed.
5. Entries may either be sent via post, digitally via email, or hand delivered to the Bunker Cartoon Gallery, Coffs Harbour. The closing date is Friday 24th February 2012.
6. Hardcopy entries: All entries submitted in hardcopy by post or delivered must be originals, either in colour or black and white. Entries must be clearly labelled with the entrant’s name, address, telephone number and email address. This information must be written in pencil in the top left hand corner on the reverse of the work, beneath the title of the work.
7. Digital entries: All entries must be sent in 300 dpi, JPEG format, and may be either A4 (210 mm x 197 mm) or A3 (420 mm x 297 mm) in either colour or black and white. Entrants are asked to specify the size for printing. Entries should be sent as an attachment to an email and a completed entry form also attached.
8. In respect of each entry the entrant warrants that the entry is the entrant’s own original work and further that the entrant is the owner of the copyright of that work and acknowledges and agrees that upon the making of the entry the entrant assigns absolutely that copyright to the Rotary Club of Coffs Harbour City Inc., (“the Rotary Club).The Rotary Club will observe the entrant’s moral rights in the work.
9. The WOW Committee will appoint suitable judges for the Awards. Judges will not be eligible to enter the competition. The judges’ decision will be final and no correspondence will be entered into.
Awards: The entry judged to be the winning entry will receive prize money of $1,000 and a medallion. Two merit awards will also be awarded each to the value of $750 each.
10. Winners of the 2012 competition will be announced in Coffs Harbour on International Womens Day, Thursday, March 8th 2012.
11. Entry to the Awards will be taken as an agreement to accept these rules and entry conditions.
Complete Rules & Entry Form: http://www.rotarycartoonawards.com/index.php/wow2
Send entries to:
WoW Cartoon Awards
Bunker Cartoon Gallery
Locked Bag 155
Coffs Harbour NSW 2450 Australia.
Or emailed to: info@rotarycartoonawards.com.au .
Saturday, November 26, 2011
1st International Competition of Graphical Humour "Cultural Correspondences"
I INTERNATIONAL COMPETITION OF GRAPHICAL HUMOUR “CULTURAL CORRESPONDENCES”.
TERMS AND CONDITIONS
The publisher SAURE announces the 1st GRAPHICAL HUMOUR competition entitled “CULTURAL CORRESPONDENCES”, which will be international in scope.
The cartoonists will carry out work on the value of cultural correspondences: the discovery of other traditions, other cultures, other languages that enrich our vision of the world and life. The capacity to know how to appreciate the dialogue between so-called western knowledge and traditional millennial knowledge. Having eyes for those who are different, having ears to listen to their voices, their melodies, songs, stories... keeping ties and admiration for cultural exchanges.
1. CONTESTANTS
All persons over 14 years of age may take part. Each participant can submit a maximum of three works.
2. MODALITY AND FORMAT
The scenes and characters must be of their own creation and be unpublished. The works may be black and white or colour. The works shall have an extension of a single page that shall not exceed the 800 x 600 pixel format, with a minimum resolution of 72 pixels per inch.
3. LANGUAGES
The works must be written in Spanish or French. Wordless humorous scenes by artists from other language backgrounds are also admitted.
4. PRESENTATION
Competitors must register or identify themselves on the website and enter their work in JPG format in the field provided for this purpose.
5. PRESENTATION LOCATION AND DEADLINE
The works must be sent exclusively through the website up until 12th October 2012.
6. VIRTUAL EXHIBITION
With the works submitted and subsequently chosen by the jury, the publisher plans to make them available to the public. The exhibition of the works will not entitle the authors of the illustrations to pecuniary rights.
7. PRIZES
Six prizes will be awarded in the competition:
Over 18s: 1st prize: 500 Euros. Basic tax will be deducted before proceeding to make the payment. 2nd prize: 3 comics. 3rd prize: 2 comics; with diploma.
Under 18s (from 14 to 17): 1st prize: 3 comics, 2nd prize: 2 comics, 3rd prize: 1 comic, from the publisher's collection with a diploma.
8. JURY
A qualified jury will choose the best works. The prizes will be made known within a month and a half after the end of the competition. If the jury decides so, the prizes may be declared void, and their decision is final.
9. ADDITIONAL CLAUSE
Participation in the competition implies acceptance of these terms and conditions.
Source: http://saure.3emultimedia.net/Concursos/
TERMS AND CONDITIONS
The publisher SAURE announces the 1st GRAPHICAL HUMOUR competition entitled “CULTURAL CORRESPONDENCES”, which will be international in scope.
The cartoonists will carry out work on the value of cultural correspondences: the discovery of other traditions, other cultures, other languages that enrich our vision of the world and life. The capacity to know how to appreciate the dialogue between so-called western knowledge and traditional millennial knowledge. Having eyes for those who are different, having ears to listen to their voices, their melodies, songs, stories... keeping ties and admiration for cultural exchanges.
1. CONTESTANTS
All persons over 14 years of age may take part. Each participant can submit a maximum of three works.
2. MODALITY AND FORMAT
The scenes and characters must be of their own creation and be unpublished. The works may be black and white or colour. The works shall have an extension of a single page that shall not exceed the 800 x 600 pixel format, with a minimum resolution of 72 pixels per inch.
3. LANGUAGES
The works must be written in Spanish or French. Wordless humorous scenes by artists from other language backgrounds are also admitted.
4. PRESENTATION
Competitors must register or identify themselves on the website and enter their work in JPG format in the field provided for this purpose.
5. PRESENTATION LOCATION AND DEADLINE
The works must be sent exclusively through the website up until 12th October 2012.
6. VIRTUAL EXHIBITION
With the works submitted and subsequently chosen by the jury, the publisher plans to make them available to the public. The exhibition of the works will not entitle the authors of the illustrations to pecuniary rights.
7. PRIZES
Six prizes will be awarded in the competition:
Over 18s: 1st prize: 500 Euros. Basic tax will be deducted before proceeding to make the payment. 2nd prize: 3 comics. 3rd prize: 2 comics; with diploma.
Under 18s (from 14 to 17): 1st prize: 3 comics, 2nd prize: 2 comics, 3rd prize: 1 comic, from the publisher's collection with a diploma.
8. JURY
A qualified jury will choose the best works. The prizes will be made known within a month and a half after the end of the competition. If the jury decides so, the prizes may be declared void, and their decision is final.
9. ADDITIONAL CLAUSE
Participation in the competition implies acceptance of these terms and conditions.
Source: http://saure.3emultimedia.net/Concursos/
Friday, November 25, 2011
New 'John Carter' photos
Silver Screen Saucers
SFX magazine has just published six new images from Disney's forthcoming sci-fi adventure John Carter...
SFX magazine has just published six new images from Disney's forthcoming sci-fi adventure John Carter...
The new trailer for John Carter will arrive next week and the movie itself is due for release March 9, 2012.
Subscribe to:
Posts (Atom)